![]() ![]() Solidarity Spores is spearheaded by six curators or teams including Bojana Piškur Vali Mahlouji/Archaeology of the Final Decade Seonghee Kim Sulki and Min / Tetsuya Goto Dongjin Seo and Sungwon Kim. The exhibition Solidarity Spores seeks to expand the concept of solidarity to include flexible and sustainable artistic practices of today. Since then, it has embodied the spirit of solidarity as a “spore” that revitalizes and spreads the movement through cultural expressions that transcend time and space. The MSSA opened its doors for the citizens of Chile in the early 1970s with donations of works from artists around the world. MSSA, el museo como espora), a project featured at the Chilean Museum of Solidarity Salvador Allende (MSSA, Museo de la Solidaridad Salvador Allende). MSSA, the museum as spore (No-contención. Used as a metaphorical reference to resistance and solidarity, the titular word “spore” is an acknowledgement to the No Containment. Through the exhibition, we seek to identify how this relationship led to cultural solidarity, adaptations in artistic practices, and changes in our perceptions. The relationship between the Non-Aligned Movement and artistic practices has spurred the growth of cultural output without attaching political strings. Solidarity Spores does not speak on behalf of a particular historical or political stance. Through visual manifestations of historical time and space that younger generations have not experienced before, artistic practices featured in the exhibition instill hopes and possibilities for a new world order, equality and communal history. In this context, the Asia Culture Center presents a special international exhibition Solidarity Spores, which explores dynamic traces left by artistic practices by touching on the themes of the “Non-Aligned Movement,” “community” and “solidarity.” The exhibition sheds new light on the history of the Non-Aligned Movement and the accompanying cultural and artistic practices in doing so, it asks how the spirit of solidarity can liberate us from division and conflict resulting from neoliberal globalization. With growing interest in ASEAN countries and their expanding role in the global arena alongside Korea, China and Japan, new definitions of community and new hopes of solidarity are possible for Asia in the 21st century. The Asia Culture Center (ACC) has been presenting a new vision for the future by examining Asia’s histories and cultures through artistic practices within the global context. the Real Economy in Three Episodes” sheds light on how Singapore’s developmental experience has informed China’s reform agenda and how “the economy” has replaced class struggle led by “the people” as the obsession of the Chinese government. In particular, he is interested in China’s rapid economic expansion since the start of its “experiment” with the market economy in the late seventies. Singaporean artist Ho Rui An, who is active in various fields such as visual arts, film, and performing arts, was primarily fascinated by China’s development during the same historical period that saw the rise and decline of the Non-Aligned Movement. 9, 16, 23 through online platform of the Asia Culture Center, and will be available until Nov. This work is a newly commissioned video series for the exhibition “Solidarity Spores.” Each episode of the series will be released sequentially on Oct. ![]()
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